Tara Accordion Pic

Tara Creme is a composer for concert, film and television, theatre and art installations.

Many of the films she has scored — drama, documentary and animation —have won awards and been broadcast on major television networks. Recent film work includes feature documentary Seahorse (2019), feature fiction My Friend the Polish Girl, (2019) and short Phyllida (2019). In 2002 she won a Mention Speciale du Jury at Poitiers Film Festival for her soundtrack to the documentary Life and Death on Exmoor by Cosima Spender. She specialises in recording with live musicians, but has also written many electronic and sample-based scores, and often combines the two.

As a concert composer, Tara has written for small and large-scale ensembles. As well as an oboe concerto written for John Anderson of the Royal Philharmonic Orchestra, she has had concert works performed by Hackney Singers at the Union Chapel, Assembly at New Works Festival, Kamilla Arku at Borough New Music and London COMA. Her piano suite Approach (2019) was recently performed by Charles Owen at New Walk Museum, part of Leicester International Festival of Music Lunchtime Concert Series. She is currently composing a long-term project, a major oratorio based on the life of Joan of Arc; in August 2019 she was selected by Wild Plum Arts for a Made at the Red House residency at the Britten-Pears Foundation to work on this.

Her theatre work includes the music and sound design for Something Somatic, written by Simon Turley and directed by Jeff Teare for TheatreScience, People are Messy by Theatre of Debate as co-composer, and King Charles III for Tower Theatre. She has also created several music/visual art crossover pieces.

Tara grew up and lives in London and plays the piano and accordion, with which she has contributed to the albums of dance producer Cantoma.

She specialised in music composition on her Contemporary Arts degree at Nottingham Trent University, studying with Jeremy Peyton-Jones. On leaving she co-formed Nottingham Composers with several fellow music graduates, producing several large-scale concerts of their work. She returned to London to study Screen Music at the National Film and Television School, where she scored a large number of fiction, documentary and animated films.

Tara has worked extensively in music education, teaching music to children and adults. She is now concentrating almost solely on composing, while still being the Musical Director of the north London community choir she founded, The Boiler House Singers.

Tara is an SMA affiliated composer and is represented by Carolynne Wyper.