Tara Creme works across several genres, including concert, film/tv and theatre.

Click above to find out more about Tara’s various projects.

Her own, increasingly performed, music for concert is direct and evocative, and is often inspired by other art forms — particularly visual art and poetry —, nature and spiritual/philosophical concepts. She has composed for musicians and ensembles of various sizes including Britten Sinfonia, Hebrides Ensemble, Voces8, Charles Owen and Onyx Brass, with performances at St Magnus International Festival, Leicester International Concert Series and Borough New Music among others.

Her distinctive music for film, which often fuses electronic sounds with acoustic instruments, includes scores for award-winning feature documentaaries Seahorse, the Man who Gave Birth  (2019) and March for Dignity (2020) and feature fiction My Friend the Polish Girl.